Anil Kapoor’s son Harshvardhan Kapoor should be scared — there is
already a very talented namesake who’s made his debut this week, months
before the Kapoor scion.
But the other Harshvardhan (let’s call
them both Harsh for the sake of brevity) has no reason to be insecure.
He is from an illustrious film family where three generations of
industry insiders co-exist under the same roof.
Harshvardhan
Kapoor’s sister Sonam is already a top star. He is being launched by one
of the topnotch filmmakers of the country in a film that will be
promoted in the coming months as the romantic sensation of the
year/decade/century, depending on how far they are willing to go with
the hype. And of course, they will give him all the debut awards at the
end of the year. That way you get all the Kapoors to attend.
The
other Harsh (Rane), who already has a body of work to prove himself in
Telugu, had to make do with a relatively small love story directed by
co-directors Vinay Sapru and Radhika Rao, not quite in the league of the
posh Rakeysh Omprakash Mehra who launches Harsh of the Kapoor clan.
As expected Harshvardhan Rane’s Hindi debut Sanam Teri Kasam
has met with cold contempt. The film, not devoid of merit, including an
outstanding performance by Rane, was never given a chance. The critics
(barring your truly) trounced it, but blessedly they have singled out
the leads’ performances for praise.
But is that enough? Would Rane
be able to survive a flop debut without a filmy empire to support him?
The ‘Harsh’ truth, if it must be told, is that Bollywood continues to be
clannish to the point of insulating itself from some real talent.
This
pedigree snobbery changed three years ago, thanks to the enterprising
spirit of one producer Aditya Chopra, who resolved to break the
stronghold of filmy empires (ironically, he belongs to an empire
himself) by introducing talent from the outside: Ranveer Singh,
Ayushmann Khurrana, Parineeti Chopra, Anushka Sharma, Vani Kapoor, and
Bhumi Pedneker were all talented Yash Raj discoveries with no
genealogical advantages in Bollywood empires.
But would they have
made it if the far-sighted Adi Chopra had not swooped down on their
talents? Doubtful. Ranveer Singh struggled for years, getting knocked
around from producer to producer, until he broke through with Band Baaja Baaarat.
I
believe Harshvardhan Rane has the talent and screen presence to be the
next best thing after Ranveer Singh, provided he gets the opportunities.
Let’s face it. Equal work opportunities is a myth, at least in the
Hindi film industry. The sad truth is that Harshvardhan Rane with all
his talent gets launched in Sanam Teri Kasam while a Harshvardhan Kapoor gets Rakeysh Mehra’s Mirzya.
When was the last time an outsider with no connections made it big in Bollywood? Shah Rukh Khan? Akshay Kumar? John Abraham?
Time to open the connecting door between Harsh Kapoor and Harsh Rane.
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